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Performance Reviews of Mark Fowler |
| Culture Weekly (Sofia) June 2007, Rossini “Stabat Mater”, Reviewer: Prof. Boyanka Arnaoudova |
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“Tenor Mark Fowler was wonderful and sang his top D flat with a lot of confidence and security”. |
| The Age, March 2005,
Mozart, “Cosi fan tutte”, Reviewer: John Slavin : |
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"Fowler's Ferrando sings with youthful intelligence throughout”. |
| Opera Opera, Jan. 2004,
Mozart, “Die Zauberflöte, Reviewer: Clive O'Connell : |
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"Just as watchable was Mark Fowler's Monostotos. This was more Puck than gloomy, rape-intending Moor as the actor-singer darted around the stage; the focus of attention whenever he appeared. As well as demonstrating enough lithe vitality to make everyone else seem elephantine, Fowler also owns a pleasant voice, even if this role is pretty much confined to participation in ensembles". |
| Opera Opera, Dec. 2000, Williamson, “The English Eccentrics”, Reviewer: David Gyger : |
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"The singing too was variable, with the strong and lyrical tenor Mark Fowler taking out line honours inmy particular scorebook." |
